infrarot

Sonnenblumen Infrarot Pinhole 850nm – Nikon DSLR

Sonnenblumen Infrarot Pinhole 850nm – Nikon DSLR

Schade, bei allen digitalen Spiegelreflexkameras verhindert der eingebaute Infrarot Sperrfilter, daß diese Kameras auch in der Infrarotfotografie eingesetzt werden können. Bei einer betagten Nikon D70s haben wir deshalb diese kleine grüne Sensorabdeckung aus Glas, den “Hot-Mirror”, einfach entfernt, ohne diesen durch Normalglas zu ersetzen. Die folgenden drei Pinholeaufnahmen wurden mit dem Skink Pinhole Pancake Versa mit Infrarotfilter (850nm) gemacht. Belichtungszeit 2-3 Sekunden bei Sonnenschein.

The rather old Nikon D70s was used for the three sunflower photos.
In order to enable the camera to take infrared photos, the hot-mirror filter which is located on top of the sensor, was removed without replacing it with normal glass. This time, an infrared filter (850nm) was used together with the Skink Pinhole Pancake Versa to take the following two infrared shots. The exposure time varied from 2 to 3 seconds.

 

 

Slide 1
Sunflowers Infrared Pinhole 850nm - Nikon DSLR
Slide 2
Sunflowers Infrared Pinhole 850nm - N(1)
Slide 3
Sunflowers Infrared Pinhole 850nm - N(2)

Pinhole Infrared with Skink Pinhole Pancake for Nikon

The rather old Nikon D70s was used for this series of photos.

In order to enable the camera to take infrared photos, the hot-mirror filter which is located on top of the sensor, was removed without replacing it with normal glass. An infrared filter (720nm) was used together with the Skink Pinhole Pancake to take the infrared shots. The exposure time varied from 2 to 5 seconds.

 

 

 

 

 

Posted via email from juergen kollmorgen’s blog on posterous

 

“lost in time” – infrared photograph, Australia

we were driving south towards Frankston beach heading into a thunder storm. When the rain finally stopped, a few light rays made their way through the dark clouds. Viewed through a normal camera lens the typical outback type of landscape still appeared rather dull. Out of curiosity I mounted an IR filter to my Sony camera and switched to night-shot mode. What a difference ! The lighting was changing every second and I kept shooting until finally the strong Australian sunlight dispersed the remaining clouds.

This one turnaed out best. After removing the green cast and adding some sepia toning with Photoshop it was ready for printing.

 Scroll to top